Bing Wright is a New York-based photographer who is not at all concerned with the seven years’ bad luck associated with broken mirrors. In his series Broken Mirror/Evening Sky, he features broken mirrors reflecting sunsets and evening skies. The mirrors Wright uses are actually quite small at fourteen by eleven inches’ compared to the final prints which measure four feet by six feet. The images resemble stained glass windows and according to one website, “(the) series incorporates Wright’s recurring themes of abstraction and representation – a contrast he masterfully balances by grounding these shards of images into a bold structure.”.
Adam Garelick has been furiously photographing New York City ever since he moved there way back in 2002. His images areroughly divided into two categories: street photography and nighttime cityscapes. His goal is to document the visual richness of the city that he calls home. Adam belongs to the old school photography crowd. He uses film, develops the negatives by hand, and does minimal post-processing adjustments. He said: “I want the subjects to speak for themselves. There is an imperfection in film that I think distinguishes each image, and which confirms the uniqueness of each subject.”
Every now and then we get exceptionally talented artists of whom we know nothing about. Rositsa Ergina has just been added to the ever-growing list. There are only three things that the internet knows about her: 1) She’s a graphic designer, 2) she’s from Dobrinishte, Bulgaria, and 3) she makes awesome black and white landscape photos of mountains. Landscape photographers like her are obviously hard core mountaineers, how else would she be able to take these pictures? Just looking at a few of her shots is already making me dizzy.
Steve Axford is enjoying his retirement by tracking down the world’s rarest fungi. He lives in the Northern Rivers area of New South Wales in Australia and most of the mushrooms you see here are local flora. Steve has also captured pretty unique shots of mushrooms from Tasmania and Victoria. He said: “The world, for me, is dominated by living things and the planet we live on . My photography is an avenue into exploring this world. My interests cover everything from micro fungi to volcanoes, though more of my time now is spent with the fungi than the volcanoes. . . Nothing exists in isolation and the more you look, the more you find.”
Manuel Savariz Santos is a Spanish photographer whose first reaction to an approaching thunderstorm isn’t to find shelter, but to run outside with his camera. It is with this habit of his that he managed to capture these amazing shots of cities in the midst of thunderstorms, lightning storms, and breath-taking sunsets. I bet it took him a thousand mediocre shots just to capture a perfect one. Manuel is currently based in Argentina, Spain.
Julie Lee is a California-based artist who loves creating colorful food composites. Her work celebrates local, sustainable produce as well as promote healthy eating. None of the produce in her shots were bought from a store.She got them from her local Farmer’s Market, from her own urban garden, or from foraging from her neighborhood. She said: “My food collages on Instagram started out as a way to showcase seasonal and local offerings from neighborhood farmers markets. It’s evolved into an ongoing project in the study of plant design, exploration of color theory, and pure, unadulterated food-love. Let’s be real–I like to play with my food. I love delicious things. I love beautiful things. I love to create. I love to learn.”
Harry Lichtman is a New Hampshire-based landscape and outdoor photographer who has a deep and abiding passion for capturing the natural world during its most dramatic moments. His trick in capturing some of the most amazing natural phenomena is to pre-visualize a scene and then try to predict the specific weather or seasonal conditions that will bring it about. Waiting for that precious and often fleeting moment is simply part of the game. Harry said: “The landscape is my passion, both photographing and experiencing it first hand. The finished photograph is only a small portion of the satisfaction I get being outdoors. I try to bring a little of that “wow” and inspiration I get during my travels into my photography. The goal is to inspire appreciation for our natural environment, plant the seed for a viewer to visit a place they might not normally consider, or simply enable someone to experience a location they may never have a chance to go to.”
Barry Underwood draws inspiration from his early theatrical training. His familiarity with set design and staged photography tranforms perfectly ordinary landscapes into something right out of science fiction. Barry uses tiny luminescent material, LED lights, and specialized photographic effect to create magical landscapes. In his artist’s statement, he said: “My artwork examines community and land-use in rural, suburban and urban sites. I created this series of installations by researching local agricultural, industrial, and recreational land-use. Curiosity about ecological and social history of specific places drives my work. By revealing the beauty and potential of an ordinary landscape an everyday scene is transformed into a memorable, visual experience. Each photograph image is a dialogue – the result of my direct encounter with nature and history. Inspired by land art, landscape photography and painting, as well as cinema, my images are both surreal and familiar.”
Andy Lee is a UK-based photographer who took great pains to have his photos stand out. The sheer number of photographers who visit Iceland for its astounding natural beauty end up taking the similar-looking pictures. Andy stand out from the crowd with his clever use of filters, infrared light, and perfect timing. Aside from being an obsessive photographer, he is also a creative director, a painter, and a manic doodler. He said: “I’ve been taking pictures most of my life, but started it a little more obsessively about ten years ago when I was filming a documentary for a charity in Ethiopia. I had an old Hasselblad film camera with me and between scenes I started to photograph everything around me. From that moment on I was hooked. The joy I still get from seeing an image projected onto ground glass, or the smell of developer is enough to keep me shooting with a smile on my face.”