Grzegorz Rutkowski is an awesome Polish artist who makes kickass illustrations. According to an interview, he said that the best thing in concept art is this whole creating process. Sometimes one has to start from scratch, building whole ideas step by step. For giving ideas life, nothing beats the traditional pencil and paper. When asked about his penchant for sharp contrasts in his work, Grzegorz said: “I’m still looking for perfect way to show what I want to “tell” to my audience. I choose this sharp-contrast way because I’m feeling comfortable in this stylistic; I’m a fantasy fan, more dark then light. But also, I think it has to do with the general perception; certain people see things in pink colors, others in dark, and it has nothing to do with frame of mind.”
Gilf! is a prolific street and conceptual artist currently wreaking havoc on the various walls (and in some instances, doors) of Brooklyn, NYC. Gilf! obtained her bachelor’s degree in Fine Art from the University of Wisconsin-Madison. She had her first solo show just last year at Arcilesi Homberg Fine Art in New York. During an interview, she said: “I make art that poses questions to and present solutions for the challenges we face as a global community. Whether it be the street, a gallery, museum, or the internet it is important to have these discussions in various dimensions to produce the most thoughtful, comprehensive, and effective solutions. . . As I work to create comprehensive progress through my art I hope you will choose to be an active participant in the discussion, and momentous change we will build together.”
Julie Lee is a California-based artist who loves creating colorful food composites. Her work celebrates local, sustainable produce as well as promote healthy eating. None of the produce in her shots were bought from a store.She got them from her local Farmer’s Market, from her own urban garden, or from foraging from her neighborhood. She said: “My food collages on Instagram started out as a way to showcase seasonal and local offerings from neighborhood farmers markets. It’s evolved into an ongoing project in the study of plant design, exploration of color theory, and pure, unadulterated food-love. Let’s be real–I like to play with my food. I love delicious things. I love beautiful things. I love to create. I love to learn.”
Those realistic sculptures of clothes and plants are actually nothing more than cleverly layered pieces of birch plywood meticulously crafted by sculptor Ron Isaacs in the trompe l’oeil fashion to resemble the real thing.Sure, he could’ve just used actual leaves and clothes, but that’s just too easy, where’s the challenge in that? In his artist’s statement, he said: “ I could use real objects to make assemblages, installations, or collages, but that’s too direct. My three primary recurring subjects are vintage clothing (for the way it continues the life of the past into the present, for its rich structures and colors and shapes, and for its anthropomorphic presence as a stand-in for the figure); plant materials in the form of sticks, leaves, and flowers (for too many reasons to list); and found objects. They combine in appropriate or surprising juxtapositions, sometimes purely as a visual “poem” of sorts and (if I’m lucky) sometimes as an image with real psychological resonance. Objects occasionally reappear in other contexts and take on new meanings, like a repertory company of actors playing different roles in different plays.”
Patrick Commecy and his team has done a great job of transforming boring building facades into fun and witty works of art. His hyperrealistic style would make anyone take a second look at the buildings. Patrick likes to incorporate local famous people from the town into his work. An example would be his trompe l’oeil mural in the town of Montpellier where he cleverly six influential residents of Montpellier including Antoine Jérôme Balard, the scientist who discovered bromine. One of my favorites is his mural based on Gabriel Chevallier’s popular novel “Clochemerle”. He accurately sketched the novel’s larger-than-life characters doing what they do best – drinking, loving, and living life to its fullest.
Harry Lichtman is a New Hampshire-based landscape and outdoor photographer who has a deep and abiding passion for capturing the natural world during its most dramatic moments. His trick in capturing some of the most amazing natural phenomena is to pre-visualize a scene and then try to predict the specific weather or seasonal conditions that will bring it about. Waiting for that precious and often fleeting moment is simply part of the game. Harry said: “The landscape is my passion, both photographing and experiencing it first hand. The finished photograph is only a small portion of the satisfaction I get being outdoors. I try to bring a little of that “wow” and inspiration I get during my travels into my photography. The goal is to inspire appreciation for our natural environment, plant the seed for a viewer to visit a place they might not normally consider, or simply enable someone to experience a location they may never have a chance to go to.”
Barry Underwood draws inspiration from his early theatrical training. His familiarity with set design and staged photography tranforms perfectly ordinary landscapes into something right out of science fiction. Barry uses tiny luminescent material, LED lights, and specialized photographic effect to create magical landscapes. In his artist’s statement, he said: “My artwork examines community and land-use in rural, suburban and urban sites. I created this series of installations by researching local agricultural, industrial, and recreational land-use. Curiosity about ecological and social history of specific places drives my work. By revealing the beauty and potential of an ordinary landscape an everyday scene is transformed into a memorable, visual experience. Each photograph image is a dialogue – the result of my direct encounter with nature and history. Inspired by land art, landscape photography and painting, as well as cinema, my images are both surreal and familiar.”
Andy Lee is a UK-based photographer who took great pains to have his photos stand out. The sheer number of photographers who visit Iceland for its astounding natural beauty end up taking the similar-looking pictures. Andy stand out from the crowd with his clever use of filters, infrared light, and perfect timing. Aside from being an obsessive photographer, he is also a creative director, a painter, and a manic doodler. He said: “I’ve been taking pictures most of my life, but started it a little more obsessively about ten years ago when I was filming a documentary for a charity in Ethiopia. I had an old Hasselblad film camera with me and between scenes I started to photograph everything around me. From that moment on I was hooked. The joy I still get from seeing an image projected onto ground glass, or the smell of developer is enough to keep me shooting with a smile on my face.”
Mehdi Ghadyanloo is an Iranian street artist who has been coating Iran’s walls with wacky murals designed to make passersby smile. His fun, creative, and overall wacky work pepper the walls of Tehran, Iran’s capital. Mehdi studied in the prestigious Tarbiat Modares University where he undoubtedly honed his artistic skills. When not bringing cheer to the residents of Tehran, he’s busy managing his very own mural painting company called Blue Sky Painters Company.
Trina Merry is fine art bodypainter who makes sculpture out of humans, because marble is for pussies apparently. You carve marble, and it stays that way. Naked, painted models tend to sweat, breathe, and scratch an itch. The image above is from her series “Human Motorcycle Project”. According to Terry, “Everyone has seen the pictures of scantily clad women next to motorbikes and cars, and it can look a bit trashy.”. True, that. So she turned the concept of trashy right around by making bikes entirely out of naked athletic models. The effect is surprisingly classy. She said: “My surface is living, breathing human beings making this a highly relevant & immediate medium. I use non-toxic hypoallergenic paint applied with a brush or airbrush. The painting is temporary, like a Tibetan sand painting, beginning to change into another work as soon as I stop painting, changing texture & color.”